Here’s what our producer Matt Wagar had to say about the set featured in this video:
What kind of a setup was this?
This was a basic interview set-up- we often call it the talking coconut. We had a 4 bank Kino Flo on 2ft power with only one bulb on to the subject’s left, a Came TV LED fresnel hair light on C-Stand, and a light bounced from the key to slightly fill the right side of her face. We used a second Came TV LED fresnel as an accent light on the back wall with a small grid ShadowFoil to create texture in the background.
What kind of video would this shot work best with?
It’s pretty neutral, so really anything. Most of the time I’m not sure what the subject matter is, but if I know in advance, I can modify the lighting to fit the mood desired.
How long did this setup take, and how many crew members were involved?
It took about 20 minutes, with the gear already being in the building. We had four crew members on this, which would be typical on one of our shoots. That depends on the complexity, though.
How would it be different doing this setup on-location, rather than in our studio?
Being on location is like going into the unknown. Usually, we’re seeing the location for the first time on the day of the shoot, and the choices are limited on where we can set up. You need to be able to solve lighting, sound, and camera angle issues efficiently while still getting the desired look. In a studio, however, we’re able to control all of those elements.
How are the producer and the client accommodated for with this setup?
In this particular set up, they have the Ikan 11″ Monitor. They could also have chairs, table with snacks and possibly playback with audio if desired. This was a quick one, though.
How do you think the interviewee, who may be someone not used to video shoots, responds to this setup?
It makes them quite nervous. A lot of times it is their first experience being on camera and “in the spotlight”. They might be nervous, start sweating, or get fidgety, and that comes across on camera. It is important for the producer/director to make them feel comfortable beforehand. Clearly explain to them what is going to happen, introduce them to the crew, let them sit and relax for a little while before going on camera. A green room is handy for this. Once it’s over, they are usually excited and relieved.
